• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

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    Stereo 3D

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    IMAX

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    Plankton

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    Fine Art

  •

    Special Effects

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    Macro Photography

No Time to Die

Metro-Goldwyn-Mayer & Eon Productions (2021)

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Saturn III

ITC Films (1980)

Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film

Ealing Film Loops

Ealing Film Company

From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.

In The Heart of the Sea

Warner Bros (2015)

Stereo 3D | Stereo Supervision by Chris Parks and additional Stereography by Angus Cameron stereo production based out of Vision3.

On The Wing

IMAX Corporation

Peter creates the most technically challenging sequence of his career, the over the shoulder view of a prehistoric dragonfly flying through a prehistoric jungle - on IMAX.


Voyage of Time

IMAX Corporation

Voyage of Time is a celebration of the universe, displaying the whole of time, from its start to its final collapse using Chris's fluid effects to create some of the most evocative moments.

Moët et Chandon

Iconoclast

Chris was brought on to collaborate on this iconic film celebrating life's most memorable events, creating abstract visualisations of those moments.

Land Rover: Above and Beyond

Jaunt VR / Vision3 (2016)

Chris supervised this VR360 film, shot and post produced by Vision3 to celebrate the Land Rover sponsored Americas Cup team.

Drop in the Ocean

Conservation International / Vision3

Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using  AI motion tracking system.

Lost Worlds

IMAX

For Bailey Silleck's Lost Worlds, The team filmed a flight over Victorian insect collections and maps of Guatemala, insectivorous plants and special effects filming of falling rain drops, with the drop filling frame, as they tracked it descending.

The Fountain

Warner Brothers (2006)

As a modern-day scientist, Tommy is struggling with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi.

Superman I

Warner Brothers (1978)

Peter turned his expertise in filming plankton to create the Red Barrier Effect for Richard Donner's Superman I on his first studio feature film.

Cold War in a Country Garden

Harry Saltzman (1977)

Peter was brought on to not only create the imagery of characters within tiny environments but to design the optics and hardware to capture it.

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